Essay on mona lisa

They didn't understand what I was doing. So tell me because you know Barbara and I did pose for you.

Essay on mona lisa

December I grew up believing that taste is just a matter of personal preference. Each person has things they like, but no one's preferences are any better than anyone else's. There is no such thing as good taste.

Essay on mona lisa

Like a lot of things I grew up believing, this turns out to be false, and I'm going to try to explain why. One problem with saying there's no such thing as good taste is that it also means there's no such thing as good art.

If there were good art, then people who liked it would have better taste than people who didn't. So if you discard taste, you also have to discard the idea of art being good, and artists being good at making it.

It was pulling on that thread that unravelled my childhood faith in relativism. When you're trying to make things, taste becomes a practical matter. You have to decide what to do next. Would it make the painting better if I changed that part?

If there's no such thing as better, it doesn't matter what you do. In fact, it doesn't matter if you paint at all. You could just go out and buy a ready-made blank canvas.

Example of Mona Lisa Essay | leslutinsduphoenix.com

If there's no such thing as good, that would be just as great an achievement as the ceiling of the Sistine Chapel. Less laborious, certainly, but if you can achieve the same level of performance with less effort, surely that's more impressive, not less.

Yet that doesn't seem quite right, does it?

Essay on mona lisa

Audience I think the key to this puzzle is to remember that art has an audience. Art has a purpose, which is to interest its audience. Good art like good anything is art that achieves its purpose particularly well. The meaning of "interest" can vary. Some works of art are meant to shock, and others to please; some are meant to jump out at you, and others to sit quietly in the background.

But all art has to work on an audience, and—here's the critical point—members of the audience share things in common. For example, nearly all humans find human faces engaging. It seems to be wired into us. Babies can recognize faces practically from birth.

In fact, faces seem to have co-evolved with our interest in them; the face is the body's billboard. So all other things being equal, a painting with faces in it will interest people more than one without. There are billions of people, each with their own opinion; on what grounds can you prefer one to another?

All humans find faces engaging—practically by definition: And so having a notion of good art, in the sense of art that does its job well, doesn't require you to pick out a few individuals and label their opinions as correct.

No matter who you pick, they'll find faces engaging. Of course, space aliens probably wouldn't find human faces engaging.Mona Simpson is the author of Casebook, Anywhere But Here, The Lost Father, A Regular Guy, Off Keck Road, and My Hollywood.

Off Keck Road won the Heartland Prize from the Chicago Tribune and was a finalist for the PEN/Faulkner leslutinsduphoenix.com has received a Whiting Writers’ Award, a Guggenheim grant, a Lila Wallace–Reader's Digest Writers’ Award, and, recently, a Literature Award from the.

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anarchism and other essays summary of the great essay film gallipoli italy attention getting devices for essays au cirque maurice careme illustration essay chopin. December I grew up believing that taste is just a matter of personal preference. Each person has things they like, but no one's preferences are any better than anyone else's.

” The Mona Lisa is perhaps Leonardo Dad Vine’s most famous of paintings. It is an oil painting, painted on poplar DOD. The painting is most famous for the smile of the woman, which people have been trying to decipher for a long time.

Mona Lisa by Leonardo da Vinci - Facts & History of the Painting